supported by 6 fans who also own “Invisible Cities”
Free Jazz at its best. Only discovered Tim Berne recently. I love the tension between structure and improvisation on this live album. You get extended really crazy improvisations out of which a structured driving riff will appear. Its really thrilling! Like tension exploding! So yeah, I love Bloodcount but I realise this wont be for everyone 😁. Crinklechips
supported by 6 fans who also own “Invisible Cities”
Ward's swirling, breezy sax feels very close and intimate - listening to it I pictured myself in a small basement room as the band played - but the 10 tongues paint a joyful and sophisticated urban fairytale that changes scene cinematically and builds to a satisfying finale. Tom Colquhoun